Showing posts with label First Impressions. Show all posts
Showing posts with label First Impressions. Show all posts

Monday, April 5, 2010

Heroman - First Impressions



Japan, thank you. Studio Bones, thank you. And Stan Lee, thank you, thank you, thank you!

Aside from an ill-advised comeback attempt, Taikutsu Remedy has not seen an update in months, due to the fact that I had lost absolutely all interest in anime since late last year. Being awash in the crappy, formulaic, pedophilia of the anime of the past few seasons, I decided it was time to call it quits, and focused my attention and adoration for my other great love, professional wrestling.


Freedom is the only way, yeah!

But all that has now changed thanks to the wonderful people mentioned above. Heroman has singlehandedly rekindled the fire, and so, like a phoenix, Taikutsu Remedy rises from the ashes! And what better way to celebrate this occasion, then with a first impression post of the very thing that made it happen?


Guess what country this show takes place in. Go on, guess.

Now before we begin, there is something I would like to address. Some of you might be scratching your heads as to why Heroman of all things is what brought me back. If the reviews round the net are any indication, Heroman has it's fair share of detractors. In the medical profession, these people are what we call, dirty communist. Heroman is awesome.


Heroman disapproves of those who do not approve of him.


Also, he watches you while you sleep.

STORY

The year, is something. The place, America. Sick of her life as the lead guitarist of a failed girlpop band, Yui from K-On has changed her name, forged a new identity, and flown to Center City, America to begin her life anew.


Stan Lee, in America!

Fearful of her now spiteful bandmates finding her, she now leads a double life as Joey Jones, a geeky loser who lives with 'his' grandmother and attends a local highschool. There, she is lusted over by the head cheerleader, and is constantly bullied by the school jocks. Presumably for contaminating the world with bullshit songs about fluffy times and the shit.


American jocks in their natural environment. Note the tasteless green jacket of the specimen to the bottom right, an evolutionary trait unique to the Rich Bastard subspecies of jock.

Anyway, unbeknownst to the rest of the world, some jerkass scientist who happens to know Yui has accidentally contacted an alien species. And as we all know, aliens are assholes, and so now that they know where we are, they're going to come and destroy us. Thanks professor.



Ok, anyone else getting massive Teppelin and Lazengann vibes here?

In the meantime, as Yui is walking back home, she spots the jocks playing with a toy robot, as jocks in highschool are known to do. Eventually, they break the bot, and throw it in the trash. Being the pitiful carrion crawler that she is, Yui rescues the bot from the trashheap, bestows on it the name, Heroman, and brings it home to fix, in the hope of finally having a friend to talk to.



"And soon, I will have friends!"

Sadly, life in America has done little to fix Yui's moronic clumsiness, and she leaves a window open in her room during a thunderstorm. Naturally, lightning strikes the Heroman toy, gives it powers, turning it to the giant robot hero we will all soon know and love. Because as we all know, that's what lightning does. It gives us superpowers. Because it's lightning. Super lightning.




It's a logical progression.

So yeah, presumably it will then be up to Yui and Heroman to beat up alien bastards. Kickass.

CHARACTERS

Yui Hirasawa
The much maligned lead of some shitty anime that nobody liked, Yui eventually realized that life with her band was a trainwreck waiting to happen. Thus, she wisely decided to cut off all ties with her previous life and start afresh in America. In order to further divorce herself from her past, she now lives under a new name, and even gender.

She now spends her days in Center City as Joey Jones, a loser. So...she's pretty much exactly the same really. Only with breast binding.


No. I haven't forgiven you for your shit music.

Heroman
The titular mecha. Once a lowly toy, Heroman received his kickass mecha powers after being struck by a bolt of lightning. He now spends his days saving the world and staring down on people. May possibly be the American cousin of Dix-Neuf.



Ok Lee, you'd better have a scene where Heroman fights and kills millions of aliens while Fly High is playing.

Lina
The spunky, popular head cheerleader of the local highschool. Despite her social standing, she openly crushes on Yui, the town geek. Obviously she never got the cheerleader memo.


Wait, what!? The cheerleader likes the loser hero!? Right from the start!? What kind of shitty cheerleader are you!?


And in a single line, Yui makes me hate her more then I already do.

Psy
Yui's only friend. That's probably because he's on crutches and can't play ball with the jocks. Bet you he ditches her once his legs heal.


I was going to make fun of his hair, but then again, pretty much every review I've read has already done that. So, uh...um...shut up. I got nothing.

Will
Lina's big brother and leader of the jocks. Spends his free time beating up Yui and gelling his hair. Has a seriously massive sister complex.


Unconvinced by Yui's disguise, Will attempts to rip her jacket off, so he can see them titties.

Prof. Matthew Denton
The retard responsible for summoning the evil aliens to earth. So when you're getting your still beating heart ripped out of your chest by giant cockroach men, it was because of this guy.


The face the doomed the world.

OVERALL

As you'd probably be able to surmise, story is not a strong point of Heroman. The premise is ridiculous and the characters cookie cutter and predictable. However, this does not detract from Heroman. In fact, I would argue it enhances it, as messy plotlines never get in the way of the experience of watching Heroman. And that I believe is what defines Heroman, a show not to be thought about, but to be felt.


Bet you he dies first.

The simplicity of Heroman's story and characters is in fact one of its strengths. Did it ever bother us that no one ever figured out Superman's identity despite the fact that all he did was wear tights and part his hair differently? No! All we wanted was to see the Man of Steel save the world from Lex Luthor's latest dastardly plot. In much the same way, Heroman is a throwback to those simpler times, where heroes were righteous, bad guys were assholes, and all the worlds problems could be solved by punching it in the face.


Just in case you forget, we're American! And we're made by Stan Lee! Who is also American!

And in its simple charm is the magic of Heroman. It was obviously never meant to be deep and contemplative like Ghost in the Shell or Serial Experiment Lain, nor was it meant to challenge and disturb viewers like Perfect Blue. All Heroman sets out to do is to recapture the magic of entertainment of yesteryears.


Yui's grandmother, the coolest human character in the show. Also a midget.

Those of you who can remember the days of Saturday morning cartoons will be familiar with the objectives of Heroman. When we would sit entranced at the screen as Sonic, Captain Planet and other sat morning stalwarts saved the day and delivered a preachy aesop at the end. Heroman condences all those saturday morning elements and repackages it in modern production values, allowing us to relive the experience once again. And with Studio Bones on animation, those production values are bloody good.


Heroman raping a car. What? As if you don't have any weird fetishes!

And that is why Heroman succeeds and surpasses the competition. It does not believe itself to be more then it is. It is well aware of its simplicity and cliched premise, and rather then fight it, it revels in it. Viewers never need worry about plot or motivations, all that matters is that Heroman is fighting evil aliens, and looks hella cool doing it. Now some critics are going to call this mindset childish, and brand Heroman a kids show. But y'know what? Gurren Lagann was also a kids show, so shut up.



NOTE:
I didn't really know where to put this in the review, so I figured I'd just tack an extra note at the end. One of the really cool things that I liked about Heroman is how he's controlled. Yui has a funky arm attachment thing which she uses to control Heroman by pressing a button that tells Heroman to perform an action. The catch however, is Heroman is the one who chooses which button Yui has to press. Essentially, Heroman is the one deciding on his course of action, with Yui authorizing it.


Dial 1 to get Heroman to do what he wants you to tell him to do.

Now most people are going to think that's a pretty redundent control system. What I like about it is how it can be interpreted as a rather simple analogy to the doctrine of the Seperation of Powers, where government power is seperated into three arms to keep each other in check. In this case, Heroman serves as the Legislature whereas Yui functions as the executive.


Heroman always had trouble fitting inside the House of Representatives.

...what? I can't nerd out over shit no one cares about? Bah! If people can jerk off to lolis, then I can jerk off to constitutional doctrines!

Also, I was genuinely surprised that Studio Bones animated this. Between alien Teppelin and Lazengann, and Heroman looking almost exactly like Dix-Neuf, I could have sworn this was a Gainax show.



Ok. There's no way in hell this wasn't deliberate.

Friday, October 23, 2009

Sora no Otoshimono - First Impressions



Ever since the days when I was first introduced to anime, I had seen crappy shows. In fact, it seems that I take some bizarre, masochistic delight out of tormenting myself with the latest steaming piles of horse manure that the Japanese anime industry produces oh so regularly.


Yeah! Suck it watermelon! Who's king shit now!?

And yet, despite the hundreds of trails by fire that I've endured, never in my life had an anime been so bad that it caused me to physically vomit. That was until that fateful day I saw Sora no Otoshimono.


...I...I don't even know what the say anymore...

STORY

Tomoki Sakurai is a normal, boring, ordinary high school student. And if anime has taught me anything about Japan, it's that boring, unimpressive, male high school students who barely have a discernible personality, are the most sexually attractive men in the entire known universe.


Of course, none of the girls even seem to care about the resident bishounen. They like their men plain and boring.

So anyway, Tomoki, in all his boringness, has a super hot neighbour who is obviously wet for him. However, like all Japanese high school girls, she doesn't have the balls to just tell him so, and instead expresses her feelings in the form of physical violence.


She's wet! Heheh, I made a double entendre!

Later on, as Tomoki is walking around, all boring and main character-like, a totally titilicious girl falls from the sky. Like a meteor. With tits. A titieor.


Titplosion!

To cut a short story even shorter, the girl then introduces herself as Icarus, and claims to be a, "pet class angelroid," which seems to entail having her wear a leash, grant Tomoki's every wish and act in a manner so subservient it would probably cause an entire room of feminist to spontaneously combust should they ever have the misfortune to see this.


Look at this and weep.

So with his newly acquired wish granting angel, Tomoki proceeds to...commit a wide range of crimes, including sexual assault, public nudity and genocide. And this is all in the first episode...


I must admit that when I die, this is how I want to go.

CHARACTERS

Sakurai Tomoki
The main character. The typical boring high school student who just wants a quiet life. Slightly differentiated from every other harem lead by the fact that instead of being a celibate virgin, he's actually perverted. The only problem being that he's not perverted as in lovable leech pervert, he's perverted as in registered sex offender pervert.


Aww, doesn't he look adorable molesting that woman?

Icarus
The main female character, and a 'pet class angelroid', whatever the shit that means. Like Tomoki, she too has no real personality, and simply exists in order to shower the viewer with moe and boobs. May possibly be an alien weapon.


Yeah, real subtle there Japan.

Sohara Mitsuki
Tomoki's childhood friend and neighbour who inexplicably breaks into his house every morning in order to wake him up. Even more mysteriously, she finds Tomoki irresistibly attractive despite his blandness. However, in Japan, one expresses one's love for someone by violently assaulting them.


Goddammit, why don't I have childhood friends like this?

Eishiro Sugata
An upperclassman to Tomoki and Mitsuki and the president of a stupid little club called, 'The New World'. Generally does bizarre things like paragliding off buildings. Is probably a closet otaku...well, not that closet actually.


...yeah, that's just sad.

Mikako Satsukitane
Another upperclassman, and Sugata's hilariously morally ambiguous friend. Seems to own a private army or something. Has the potential to be the best character in the show, but sadly, doesn't get much screentime compared to the rest.


You gotta love a character who'd happily profit from a friend's death.

ANIMATION

This is what really surprised me about Sora no Otoshimono; the show is absolutely gorgeous it is. The animation is fluid, and the art is beautiful. Special mention must also be made to the many night scenes, as well as many of the closeups of Icarus; the art reaches eroge level quality.


A show that looks this good should not be allowed to be this bad.

Sadly, I can't really elaborate about the art, as I have no formal training in animation and can't critically analyse it. I can however say, that it's beautiful, and is easily the strongest feature of Sora no Otoshimono.


Hey! Tits!

OVERVIEW

Despite how beautiful this show looks, this doesn't change the fact that it's absolutely horrible. The characters are derivative to a level approaching satire, the plot looks like it was conceived by a 5-th grader, and the directing is laughably subpar.


Yup, he's leading her along with a leash. This is obviously an equal relationship.

As I had mentioned above, this show is the first and only anime that was so bad, it caused me to physically gag and vomit. If you're curious, this particular travesty occurred in the first episode, which displayed one of the most inept instances of drama in the history of fiction;

Shortly after discovering Icarus, Tomoki learns that she has the ability to grant him his every wish. Naturally, he starts small, by first asking for money. However, this soon spirals out of control, culminating in him turning invisible and stopping time in order to molest and rape women.


Breaking into one's house to perv on someone is obviously what good friends do to each other.

After his joy filled romp of sexual deviancy, Tomoki jokingly tells Icarus that he wants to conquer the world. He then wakes the next day to discover that Icarus has destroyed every single human being on the planet, so that he may rule it. This is then played completely seriously as a tragic turn of events. Uh...what? Tomoki you dumb shit! You already knew Icarus was powerful enough to MANIPULATE SPACE AND TIME! WHAT THE SHIT DID YOU THINK WAS GOING TO HAPPEN!?


This is a chicken. It too was destroyed. You should feel bad.

So anyway, the earth is now a dead planet, and Tomoki in his grief commands Icarus to kill herself. He then changes his mind 3 seconds later, and lunges at Icarus to try prevent her from blowing her brains out, and cries like a little bitch.


Oh, the angst!


The drama!


Will she do it!? WILL SHE DO IT!?


Nooes! I didn't think you'd try to kill yourself after I ordered you to kill yourself!

Eventually, Tomoki manages to convince Icarus not to kill the shit out of herself, and wishes that this had all been a dream. Lo and behold, the next day, Tomoki wakes up to find out that Icarus had reversed it all and the world is back to normal. And again, he is utterly amazed at her power. Wow, how dumb is this kid?


It reads "Icarus + Master = Fun" I think it was meant to be heartwarming, but I just found it creepy as hell.

Now in writing, I realize that whole sequence doesn't sound quite as horrible as it was. But I must remind, the stupidity that unfolds in those 5 or so minutes are played completely seriously, with naught a hint of acknowledgement at the idiocy or predictability inherent in it. And if anyone is curious, the bit where Tomoki told Icarus to kill herself and then cried like a little bitch when he found out she was actually going to do it was the bit that made me puke out my lunch.


Tomoki, this is you. I crush you! Crush you like a bird!

That little bit of drama aside however, Sora no Otoshimono doesn't really offer much except predictable ecchi humour. You know, the type that has been coming out of Japan for the past 20 years. About the only instance of actual creativity in Sora came in episode 2, which featured a flock of flying...panties. No, it wasn't a high point in the history of anime, but at least I didn't see it coming...


It is my dream to show this to Hayao Miyazaki. Mainly because I want to see a grown man cry.

Another thing that drives me crazy is how intensely dislikeble the main character is. At first, I was happy to see he wasn't another hopelessly shy celibate, but seeing a man commit hundreds of sexual offenses with not a care in the world isn't endearing either. Goddammit Japan! Do you have any other male personality types besides 'eternal virgin' and 'serial sex offender'!?


I feel sorry for Icarus. I feel so sorry...

And yet, despite how utterly horrible Sora no Otoshimono is, I can't quite get myself to completely hate it. As mentioned before, this is a beautiful anime to look at. And perhaps more importantly, there have been brief hints that the series may grow into something far more watchable.


Macross missile massacre! ...either that, or tentacle rape.

The scene where Icarus first falls down from the sky in episode 1 is breathtaking. It is beautifully animated, from the initial explosion, to the falling sky pillars, to Icarus soaring through the night sky. For that brief moment I had forgotten how bad the rest of the show was, and was genuinely enjoying what was unfolding on screen. Similarly, several scenes in the opening suggest that a far more inspired sci-fi epic might be waiting in later episodes.







Why Japan!? WHY DID YOU MAKE SOMETHING THIS BAD LOOK THIS GOOD!?

This of course, does not change the fact that Sora no Otoshimono is currently an uninspired, derirative, ecchi comedy that sets back the feminist movement by 50 years. Yet, I can't help but hold out on that faint glimmer of hope that it might grow to be something more. It is likely that I'll regret this decision, but like how I believe in God, I'm going to believe in Sora no Otoshimono, despite all evidence to the contrary.